"Concerto grosso, Op. 4, No. 2 in B Minor after Violin Sonata, Op. 4, No. 11: I. Grave" by Francesco Geminiani, Concerto Köln was released on September 20, 2019. With Concerto grosso, Op. 4, No. 2 in B Minor after Violin Sonata, Op. 4, No. 11: I. Grave being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Francesco Geminiani, Concerto Köln's "Geminiani: Quinta Essentia" album is number 21 out of 34. In terms of popularity, Concerto grosso, Op. 4, No. 2 in B Minor after Violin Sonata, Op. 4, No. 11: I. Grave is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto grosso, Op. 4, No. 2 in B Minor after Violin Sonata, Op. 4, No. 11: I. Grave by Francesco Geminiani, Concerto Köln to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor; Op. 6 No. 5: II. Allegro | Charles Avison, Café Zimmermann | D♭ Minor | 3 | 12A | 135 BPM | ||
Concerto Grosso in C Minor, Op. 1, No. 2: IV. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Minor | 3 | 5A | 149 BPM | ||
Concerto III in C Major: II. Allegro | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | B Major | 2 | 1B | 123 BPM | ||
Concerto in D Major, Op. 6 No. 6: I. Largo | Charles Avison, Café Zimmermann | D♭ Major | 1 | 3B | 108 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | ||
Concerto I in D Major: II. Allegro | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | E♭ Minor | 1 | 2A | 69 BPM | ||
Concerto Grosso in D Major, Op. 2, No. 4: III. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | B Minor | 1 | 10A | 112 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: III. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | E Minor | 1 | 9A | 76 BPM |