"Notre Dame, Op. 2: Intermezzo. Mäßig schnell, aber ungleich und stellenweise stockend" by Franz Schmidt, Jonathan Berman, BBC National Orchestra Of Wales was released on November 17, 2023. Since Notre Dame, Op. 2: Intermezzo. Mäßig schnell, aber ungleich und stellenweise stockend is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Schmidt: The Symphonies". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. In terms of popularity, Notre Dame, Op. 2: Intermezzo. Mäßig schnell, aber ungleich und stellenweise stockend is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Notre Dame, Op. 2: Intermezzo. Mäßig schnell, aber ungleich und stellenweise stockend by Franz Schmidt, Jonathan Berman, BBC National Orchestra Of Wales having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia symphonica: III. Allegro scherzoso | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | F Major | 1 | 7B | 94 BPM | ||
A Symphonic Mass: IV. Offertorium | George Lloyd, Bournemouth Symphony Orchestra | G Major | 3 | 9B | 131 BPM | ||
Carnival Overture - 2024 Remastered Version | Antonín Dvořák, Arthur Fiedler, Boston Symphony Orchestra | G Minor | 2 | 6A | 126 BPM | ||
Relâche, Pt. 1: No. 3, Entrée de la femme | Erik Satie, Ronald Corp, New London Orchestra | D Minor | 2 | 7A | 131 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Prelude | Edward Elgar, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 85 BPM | ||
Symphony No. 1, Op. 13: I. Assez vif et rythmé | George Enescu, Orchestre National De France, Cristian Măcelaru | E♭ Major | 1 | 5B | 140 BPM | ||
The Winton Suite: III. Dance | Adam Carse, Royal Ballet Sinfonia, Gavin Sutherland | G Major | 2 | 9B | 139 BPM | ||
Das Buch mit sieben Siegeln, Pt. 2: No. 19, Im Himmel aber erhob sich ein großer Streit | Franz Schmidt, Julius Patzak, Munich Philharmonic Orchestra, Anton Lippe | C Major | 2 | 8B | 102 BPM | ||
Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
Paria, Act I (Ed. Włodzimierz Ormicki): Introduction | Stanisław Moniuszko, Poznań Opera House Orchestra, Jacek Kaspszyk | C Major | 0 | 8B | 99 BPM |