"Symphony No. 2 in C minor - "Resurrection": 5c. Sehr langsam und gedehnt -" by Gustav Mahler, Berliner Philharmoniker, Bernard Haitink was released on January 1, 1994. The duration of Symphony No. 2 in C minor - "Resurrection": 5c. Sehr langsam und gedehnt - is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Symphony No. 2 in C minor - "Resurrection": 5c. Sehr langsam und gedehnt -'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gustav Mahler, Sylvia McNair, Jard van Nes, Ernst Senff Chor, Berliner Philharmoniker, Bernard Haitink's "Mahler: Symphony No. 2" album is number 5 out of 9. On top of that, Netherlands appears to be the country where this track was created. Symphony No. 2 in C minor - "Resurrection": 5c. Sehr langsam und gedehnt - is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 2 in C minor - "Resurrection": 5c. Sehr langsam und gedehnt - by Gustav Mahler, Berliner Philharmoniker, Bernard Haitink to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Symphony No. 2, "Resurrection": V. (e) Langsam, Misterioso (Chorus, Soprano) - | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 0 | 2B | 122 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | G Major | 3 | 9B | 87 BPM | ||
Symphony No. 2 in C Minor "Resurrection" / 4: "Urlicht": Sehr feierlich, aber schlicht - "O Röslein rot" | Gustav Mahler, Cheryl Studer, Waltraud Meier, Wiener Philharmoniker, Claudio Abbado, Arnold Schoenberg Chor, Erwin Ortner | E♭ Major | 4 | 5B | 124 BPM | ||
Concerto for Piano, Trumpet and String orchestra Op. 35 in C Minor: II. Lento | Dmitri Shostakovich, Alexander Melnikov, Jeroen Berwaerts, Teodor Currentzis, Mahler Chamber Orchestra | C Major | 0 | 8B | 137 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
Piano Concerto No.4 in G minor, Op.40: 2. Largo | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | C Major | 0 | 8B | 71 BPM | ||
Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | F♯ Major | 1 | 2B | 177 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM |