"Piano Trio No. 4 in B-Flat Major, Op. 11 "Gassenhauer": II. Adagio" by Ludwig van Beethoven, Yo-Yo Ma, Richard Stoltzman, Emanuel Ax was released on 1981. Piano Trio No. 4 in B-Flat Major, Op. 11 "Gassenhauer": II. Adagio is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. There are a total of 101 in the song's album "Richard Stoltzman plays Clarinet Concertos, Sonatas and Chamber Music". In this album, this song's track order is #5. Piano Trio No. 4 in B-Flat Major, Op. 11 "Gassenhauer": II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Trio No. 4 in B-Flat Major, Op. 11 "Gassenhauer": II. Adagio by Ludwig van Beethoven, Yo-Yo Ma, Richard Stoltzman, Emanuel Ax having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 95 BPM | ||
Beethoven: Violin Sonata No. 10 in G Major, Op. 96: II. Adagio espressivo | Ludwig van Beethoven, Renaud Capuçon | E♭ Major | 0 | 5B | 77 BPM | ||
Piano Sonata No.1 in F minor, Op.2 No.1: 2. Adagio | Ludwig van Beethoven, Alfred Brendel | F Major | 1 | 7B | 84 BPM | ||
10 Preludes, Op. 23: No. 10 in G-Flat Major (Largo) | Sergei Rachmaninoff, Vladimir Ashkenazy | E Major | 0 | 12B | 89 BPM | ||
Piano Trio No. 3 in C Minor, Op. 101: Presto non assai | Johannes Brahms, Yo-Yo Ma, Emanuel Ax, Leonidas Kavakos | F Minor | 0 | 4A | 84 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Piano Quartet in E-Flat Major, Op. 47: IV. Finale. Vivace | Robert Schumann, Emanuel Ax, Isaac Stern, Jaime Laredo, Yo-Yo Ma | E♭ Major | 2 | 5B | 143 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Ave Maria | Charles Gounod, Yo-Yo Ma | C Major | 0 | 8B | 87 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49: III. Scherzo: Leggiero e vivace | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | D Major | 1 | 10B | 148 BPM |