Die größten Fälle von Scotland Yard, Markus Duschek, Peter Kirchberger, K. Dieter Klebsch, Peter Lontzek, Dagmar Dreke, Wolfgang Bahro, Daniel Zillmann, Thomas Nero Wolff, Gordon Piedesack, Lutz Mackensy, Ilona Otto, Luisa Wietzorek, Stefan Krause, Rainer Fritzsche's 'Teil 10 - Folge 41: High Noon in London' came out on March 13, 2020. The duration of Teil 10 - Folge 41: High Noon in London is about 3 minutes long, at 3:18. Based on our data, "Teil 10 - Folge 41: High Noon in London" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 18 in Folge 41: High Noon in London by Die größten Fälle von Scotland Yard. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Teil 10 - Folge 41: High Noon in London's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.

Teil 10 - Folge 41: High Noon in London テンポ

The tempo marking of Teil 10 - Folge 41: High Noon in London by Die größten Fälle von Scotland Yard, Markus Duschek, Peter Kirchberger, K. Dieter Klebsch, Peter Lontzek, Dagmar Dreke, Wolfgang Bahro, Daniel Zillmann, Thomas Nero Wolff, Gordon Piedesack, Lutz Mackensy, Ilona Otto, Luisa Wietzorek, Stefan Krause, Rainer Fritzsche is Allegro (fast, quick, and bright), since this song has a tempo of 147 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.

Teil 10 - Folge 41: High Noon in London キー

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.