"String Quartet No. 14 in C-Sharp Minor, Op. 131: VI. Adagio, quasi un poco andante (Arr. P. Oundjian for string orchestra)" by Ludwig van Beethoven, Amsterdam Sinfonietta, Peter Oundjian was released on January 1, 2002. The duration of String Quartet No. 14 in C-Sharp Minor, Op. 131: VI. Adagio, quasi un poco andante (Arr. P. Oundjian for string orchestra) is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. String Quartet No. 14 in C-Sharp Minor, Op. 131: VI. Adagio, quasi un poco andante (Arr. P. Oundjian for string orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 8 in Beethoven: String Quartet No. 14, Op. 131 / Grosse Fuge, Op. 133 by Ludwig van Beethoven, Amsterdam Sinfonietta, Peter Oundjian. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. String Quartet No. 14 in C-Sharp Minor, Op. 131: VI. Adagio, quasi un poco andante (Arr. P. Oundjian for string orchestra) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet No. 14 in C-Sharp Minor, Op. 131: VI. Adagio, quasi un poco andante (Arr. P. Oundjian for string orchestra) by Ludwig van Beethoven, Amsterdam Sinfonietta, Peter Oundjian is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Piano Sonata No. 1 in F Minor, Op. 2 No. 1, op. 2/1: III. Menuetto: Allegretto | Ludwig van Beethoven, Solomon | F Minor | 0 | 4A | 175 BPM | ||
Prelude & Fugue in C Minor (Well-Tempered Clavier, Book I, No. 2), BWV 847: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | C Minor | 2 | 5A | 65 BPM | ||
3 Nouvelles etudes, Op. posth.: II. Etude No. 26 in A-Flat Major | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 74 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM |