Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon's 'Bagatelles, Op. 47, B. 79: No. 3 in G Minor, Allegretto scherzando' came out on January 30, 2009. The duration of Bagatelles, Op. 47, B. 79: No. 3 in G Minor, Allegretto scherzando is about 3 minutes long, at 3:17. Based on our data, "Bagatelles, Op. 47, B. 79: No. 3 in G Minor, Allegretto scherzando" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 16 in Dvořák: Miniatures, Bagatelles, Terzetto - Suk: Piano Quartet by Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller. Going off of the ISRC code of this track, we detected that the origin of this track is from Czechia. In terms of popularity, Bagatelles, Op. 47, B. 79: No. 3 in G Minor, Allegretto scherzando is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bagatelles, Op. 47, B. 79: No. 3 in G Minor, Allegretto scherzando by Antonín Dvořák, Josef Suk, Miroslav Ambroš, Jiří Bárta, Jan Simon is Andante (at a walking pace), since this song has a tempo of 91 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in C Minor (spuriously attrib. to Johann Christian Bach): III. Allegro molto energico | Henri Casadesus, Yuli Turovsky, I Musici de Montréal | C Minor | 2 | 5A | 75 BPM | ||
6 Romanian Folk Dances, BB 68, Sz. 56: No. 4, Buciumeana (Transcr. for Chamber Orchestra) | Béla Bartók, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Bach, JS: Violin Concerto No. 1 in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Itzhak Perlman, Daniel Barenboim, English Chamber Orchestra | A Minor | 3 | 8A | 109 BPM | ||
Violin Concerto in C Major, Hob. VIIa:1: I. Allegro moderato | Franz Joseph Haydn, Midori Seiler, Concerto Köln | C Major | 1 | 8B | 135 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): II. Adagio, ma non tanto | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 103 BPM | ||
Oboe Concerto in E-Flat Major, Wq. 165, H. 468: II. Adagio ma non troppo | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | C Minor | 1 | 5A | 92 BPM | ||
Symphony No. 50 in D Minor, Op. 10, No. 5: I. Allegro non tanto | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | D Minor | 2 | 7A | 76 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 2: I. Allegro moderato | Louis Spohr, Ulf Hoelscher, Berlin Radio Symphony Orchestra, Christian Frohlich | C Major | 1 | 8B | 110 BPM | ||
Andante e Rondo ungarese, Op. 35, J. 158 | Carl Maria von Weber, Matthias Rácz, North West German Philharmonic Orchestra, Johannes Klumpp | C Major | 1 | 8B | 85 BPM | ||
Printemps, Op. 18 | Darius Milhaud, Mauro Tortorelli, Angela Meluso | A Major | 1 | 11B | 100 BPM |