"7 Canciones populares Españolas: No. 5, Nana" by Manuel de Falla, Pablo Ferrandez, Denis Kozhukhin was released on March 26, 2021. The duration of 7 Canciones populares Españolas: No. 5, Nana is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. 7 Canciones populares Españolas: No. 5, Nana's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Reflections". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. The popularity of 7 Canciones populares Españolas: No. 5, Nana is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 7 Canciones populares Españolas: No. 5, Nana by Manuel de Falla, Pablo Ferrandez, Denis Kozhukhin having a テンポ of 170 with a half-time of 85 テンポ and a double-time of 340 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
Schwanengesang, S. 560: No. 4 Ständchen | Franz Liszt, Vladimir Horowitz | D Major | 0 | 10B | 74 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
Piano Quintet in A Major, Op. 81, B. 155: II. Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | B Minor | 0 | 10A | 71 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Denis Kozhukhin, Rundfunk-Sinfonieorchester Berlin, Vassily Sinaisky | D♭ Major | 0 | 3B | 89 BPM | ||
Suite for Two Pianos, Op. 6: II. Andantino con moto | Charles Koechlin, Tal & Groethuysen | F Minor | 0 | 4A | 192 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon | Antonín Dvořák, Edgar Moreau, Jérémie Moreau | F♯ Major | 0 | 2B | 138 BPM | ||
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
Pièce en forme de Habanera, M. 51 (Arr. Catherine for Violin and Piano) | Maurice Ravel, Janine Jansen, Antonio Pappano | C Minor | 0 | 5A | 87 BPM | ||
There's Nae Lark (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | E♭ Major | 0 | 5B | 98 BPM |