"Ligeti : Romanian Concerto : I Andantino" by György Ligeti, Jonathan Nott, Berliner Philharmoniker was released on April 26, 2002. The duration of Ligeti : Romanian Concerto : I Andantino is about 3 minutes long, at 3:01. Based on our data, "Ligeti : Romanian Concerto : I Andantino" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in György Ligeti, Jonathan Nott, Berliner Philharmoniker's "Ligeti : Project Vol.2 - Lontano, Atmosphères, Apparitions, San Francisco Polyphony & Concert Românesc" album is number 6 out of 9. In terms of popularity, Ligeti : Romanian Concerto : I Andantino is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ligeti : Romanian Concerto : I Andantino by György Ligeti, Jonathan Nott, Berliner Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adams: Nixon in China: Act I, Scene 1 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | A Minor | 0 | 8A | 105 BPM | ||
Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
2 Thoughts About the Piano: No. 2. Catenaires | Elliott Carter, Ursula Oppens | F♯ Major | 3 | 2B | 68 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: V. Largo | Dmitri Shostakovich, Shostakovich Quartet | G Major | 0 | 9B | 106 BPM | ||
Alpine Symphony: Night | Richard Strauss, Rico Saccani, Budapest Philharmonic Orchestra | B♭ Minor | 3 | 3A | 81 BPM | ||
Six Encores: Wasserklavier | Luciano Berio, Andrea Lucchesini | D♭ Major | 0 | 3B | 82 BPM | ||
For Children, Vol. 2, Sz. 42 (Excerpts) [Original Version]: No. 34, Evening Kiss. Andante | Béla Bartók, Fülöp Ránki | D Major | 1 | 10B | 73 BPM | ||
Suite for Symphonic Strings: 2. Chorale "Et in Arcadio Ego" | Lou Harrison, American Composers Orchestra, Dennis Russell Davies | B Minor | 0 | 10A | 87 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
4'33" | John Cage, Khatia Buniatishvili | F Major | 0 | 7B | 0 BPM |