"Cantata, BWV 202, "Wedding Cantata": Weichet nur, betrübte Schatten" by Kristin Norderval was released on April 19, 2011. With this song being about 5 minutes long, at 5:21, "Cantata, BWV 202, "Wedding Cantata": Weichet nur, betrübte Schatten" by Kristin Norderval is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "I Do! - Classical Wedding Music" album is number 35 out of 79. Cantata, BWV 202, "Wedding Cantata": Weichet nur, betrübte Schatten is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cantata, BWV 202, "Wedding Cantata": Weichet nur, betrübte Schatten by Kristin Norderval to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): II. Allegro | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 102 BPM | ||
Oboe Concerto in B Flat Major, Op. 7 No. 3: II. Adagio | London Harpsichord Ensemble, Sarah Francis | G Minor | 2 | 6A | 72 BPM | ||
Concerto Grosso in D Major, Op. 3, No. 6, HWV 317: II. Allegro | George Frideric Handel, Ian Watson, Academy of St. Martin in the Fields, Iona Brown | G Major | 1 | 9B | 71 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.23 in B major BWV892 | Daniel Barenboim | E Major | 2 | 12B | 79 BPM | ||
Tito Manlio, RV 778, Act I: Combatta un gentil cor | Antonio Vivaldi, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | B Major | 2 | 1B | 108 BPM | ||
Orchestersuite in C Major, BWV 1066, No. 1: IV. Forlane | Slovak Philharmonic, Bohdan Warchal | C Major | 1 | 8B | 73 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Ton Koopman, Monica Huggett, Alison Bury, Amsterdam Baroque Orchestra | D♭ Minor | 3 | 12A | 102 BPM | ||
6 Trio a Violini e Basso: Sonata No. 4 in D Minor, TWV 42:d2: III. Presto | Georg Philipp Telemann, Danubius Ensemble | D Minor | 2 | 7A | 116 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.13 in F sharp major BWV858 | Daniel Barenboim | E♭ Minor | 1 | 2A | 139 BPM | ||
Trio Sonata in G Minor: IV. Allegro | Johann Friedrich Fasch, Danubius Ensemble | G Minor | 1 | 6A | 101 BPM |