"Die Walküre, WWV 86b, Act III: Ride of the Valkyries" by Richard Wagner, Philippe Jordan, Orchestre de l'Opéra National de Paris was released on June 5, 2021. With this song being about 5 minutes long, at 5:23, "Die Walküre, WWV 86b, Act III: Ride of the Valkyries" by Richard Wagner, Philippe Jordan, Orchestre de l'Opéra National de Paris is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Gaming Symphony" album is number 24 out of 26. In terms of popularity, Die Walküre, WWV 86b, Act III: Ride of the Valkyries is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Walküre, WWV 86b, Act III: Ride of the Valkyries by Richard Wagner, Philippe Jordan, Orchestre de l'Opéra National de Paris to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky : Symphony No.5 in E minor Op.64 : III Valse - Allegro moderato | Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 1 | 11B | 146 BPM | ||
Io sono docile | Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra | F Major | 3 | 7B | 83 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Slavonic Dances, Op. 46 (Remastered): No. 2 in E Minor. Allegretto scherzando | Antonín Dvořák, George Szell, Cleveland Orchestra | A♭ Major | 1 | 4B | 73 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | B♭ Major | 3 | 6B | 126 BPM | ||
Capriccio Espagnol, Op. 34: 3. Alborada | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 2 | 5B | 133 BPM | ||
Das Rheingold: Scene 1: Vorspiel | Richard Wagner, Albert Dohmen, Ralf Lukas, Clemens Bieber, Arnold Bezuyen, Andrew Shore, Gerhard Siegel, Kwangchul Youn, Hans-Peter Konig, Michelle Breedt, Edith Haller, Christa Mayer, Fionnuala McCarthy, Ulrike Helzel, Simone Schroder, Bayreuth Festival Orchestra, Christian Thielemann | A♭ Major | 0 | 4B | 69 BPM | ||
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act I Scene 3: Am stillen Herd in Winterszeit | Richard Wagner, Maria Müller, Camilla Kallab, Max Lorenz, Jaro Prohaska, Josef Greindl, Benno Arnold, Helmut Fehn, Eugen Fuchs, Fritz Krenn, Gerhard Witting, Karl Krollmann, Herbert Gosebruch, Gustav Rödin, Franz Sauer, Alfred Dome, Erich Zimmermann, Erich Pina, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wilhelm Furtwängler | E Major | 2 | 12B | 85 BPM |