"Empty Chairs At Empty Tables" by David Bryant was released on May 11, 1987. The duration of Empty Chairs At Empty Tables is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Empty Chairs At Empty Tables's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Les Misérables (Original Broadway Cast Recording)" album is number 15 out of 33. On top of that, United States appears to be the country where this track was created. Empty Chairs At Empty Tables is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Empty Chairs At Empty Tables by David Bryant to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Out There | Patrick Page, Michael Arden | D Minor | 5 | 7A | 98 BPM | ||
Blackout | 'In The Heights' Original Broadway Company | G Minor | 7 | 6A | 100 BPM | ||
Just Like It Was Before | Corey Cott, Mary Callanan, Kevyn Morrow, Jonathan Shew, Bandstand Ensemble | F Minor | 5 | 4A | 121 BPM | ||
The Abduction | Original Broadway Company of Natasha, Pierre and the Great Comet of 1812 | D♭ Major | 5 | 3B | 158 BPM | ||
Sit Down, You're Rockin' the Boat | Walter Bobbie, Guys and Dolls Ensemble (1992) | B♭ Major | 3 | 6B | 129 BPM | ||
I Am the One - Reprise | J. Robert Spencer, Aaron Tveit | A Major | 2 | 11B | 174 BPM | ||
Finale "Les Miserables" | Robert Billig | C Minor | 1 | 5A | 81 BPM | ||
Happiness | You're a Good Man, Charlie Brown Ensemble (1999) | G Major | 1 | 9B | 117 BPM | ||
In My Life | Judy Kuhn, Colm Wilkinson, David Bryant, Frances Ruffelle | D Major | 1 | 10B | 100 BPM | ||
Holding to the Ground | Stephanie J. Block | B Major | 3 | 1B | 81 BPM |