"Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: Overture" by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden was released on 1992. The duration of Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: Overture is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: Overture's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "R. Strauss: Ariadne auf Naxos". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: Overture is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: Overture by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Italiana In Algeri: " Ah, come il cor di giublio " | Chor der Staatsoper Dresden, Staatskapelle Dresden, Gary Bertini | C Major | 1 | 8B | 120 BPM | ||
L'Italiana In Algeri: " Ah, quando fia " | Chor der Staatsoper Dresden, Staatskapelle Dresden, Gary Bertini | G Major | 2 | 9B | 128 BPM | ||
Variation 2: Poco agitato | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | F Major | 1 | 7B | 176 BPM | ||
Ave verum corpus, K.618 | Wolfgang Amadeus Mozart, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Peter Schreier | D Major | 0 | 10B | 139 BPM | ||
Aida / Act 2: Ballet Music | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 0 | 4B | 81 BPM | ||
Pictures at an Exhibition: Ballet of the Chickens in Their Shells | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 84 BPM | ||
Brahms: Symphony No. 3 in F Major, Op. 90: IV. Allegro | Johannes Brahms, Berliner Philharmoniker, Sir Simon Rattle | F Major | 1 | 7B | 76 BPM | ||
Symphony No. 3 In E Flat, Op. 97 - "Rhenish": 4. Feierlich | Robert Schumann, Berliner Philharmoniker, Herbert von Karajan | E♭ Minor | 1 | 2A | 87 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 1) Entr'acte and Waltz With Chorus. "Vot tak syurpriz!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Jürgen Hartfiel, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Rimsky-Korsakov : Capriccio espagnol Op.34 : II Variazioni | Nikolai Rimsky-Korsakov, Kurt Masur, New York Philharmonic | F Major | 0 | 7B | 163 BPM |