"Debussy: Suite bergamasque, CD 82, L. 75: III. Clair de lune" by Claude Debussy, Alexis Weissenberg was released on November 20, 2009. With this song being about 5 minutes long, at 5:00, "Debussy: Suite bergamasque, CD 82, L. 75: III. Clair de lune" by Claude Debussy, Alexis Weissenberg is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mondschein / Moonlight Classics's "Mondschein / Moonlight Classics" album is number 4 out of 12. On top of that, France appears to be the country where this track was created. In terms of popularity, Debussy: Suite bergamasque, CD 82, L. 75: III. Clair de lune is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Debussy: Suite bergamasque, CD 82, L. 75: III. Clair de lune by Claude Debussy, Alexis Weissenberg to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne, Es-Dur, op. 9, Nr. 2: Andante | Adolf Drescher | B♭ Major | 0 | 6B | 106 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 81 BPM | ||
Arabeske in C, Op. 18 | Robert Schumann, Maurizio Pollini | C Major | 0 | 8B | 78 BPM | ||
Waldszenen, Op. 82: VII. Der Vogel als Prophet | Robert Schumann, Moura Lympany | G Minor | 0 | 6A | 66 BPM | ||
Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito (Excerpt) | Pyotr Ilyich Tchaikovsky, Andrei Gavrilov, Riccardo Muti, Philharmonia Orchestra | D♭ Major | 2 | 3B | 160 BPM | ||
The Seasons, Op. 37a, TH 135: No. 6 in G Minor, June. Barcarolle | Pyotr Ilyich Tchaikovsky, Nikolai Lugansky | G Minor | 0 | 6A | 170 BPM | ||
Dances for Harp and Orchestra, L. 103: 1. Danse sacrée | Lavinia Meijer, Amsterdam Sinfonietta | D Minor | 0 | 7A | 81 BPM | ||
Piano Sonata No. 8 In C Minor Op. 13 - Pathétique - II. Adagio cantabile | The Jane Austen Era | A♭ Major | 0 | 4B | 108 BPM | ||
Etude in E major, Op.10 No.3 | Frédéric Chopin, Stanislav Bunin | E Major | 1 | 12B | 136 BPM | ||
Fantasien op. 116: Intermezzo: Adagio | Johannes Brahms, Martin Tchiba | E Major | 0 | 12B | 66 BPM |