"A Quiet Place, Act I: Finale: Merry Christmas to You Too - Live" by Leonard Bernstein, Beverly Morgan, Peter Kazaras, John Brandstetter, Chester Ludgin, Vienna Radio Symphony Orchestra was released on January 1, 2010. The duration of A Quiet Place, Act I: Finale: Merry Christmas to You Too - Live is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. A Quiet Place, Act I: Finale: Merry Christmas to You Too - Live's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leonard Bernstein, Richard Wilbur's "Leonard Bernstein - Theatre Works on Deutsche Grammophon" album is number 6 out of 131. On top of that, Germany appears to be the country where this track was created. A Quiet Place, Act I: Finale: Merry Christmas to You Too - Live is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of A Quiet Place, Act I: Finale: Merry Christmas to You Too - Live by Leonard Bernstein, Beverly Morgan, Peter Kazaras, John Brandstetter, Chester Ludgin, Vienna Radio Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 70 テンポ, a half-time of 35テンポ, and a double-time of 140 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Symphony No.25 In G Minor, K. 173dB (K.183): Andante | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Leonard Bernstein | B♭ Major | 0 | 6B | 93 BPM | ||
Sylvia: Act I: Valse lente | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 111 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
Madama Butterfly, SC 74 / Act 2: Addio fiorito asil | Giacomo Puccini, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni | B Minor | 2 | 10A | 89 BPM | ||
Carmen Suite No. 1: Intermezzo. Andantino quasi Allegretto (Prelude to Act III) | Georges Bizet, Leonard Bernstein, New York Philharmonic | C Minor | 2 | 5A | 137 BPM | ||
Mass: VIII. Epistle: "The Word of The Lord" - Live | Leonard Bernstein, Kevin Vortmann, Lyn Philistine, Devin Ilaw, Kent Overshown, Sarah Uriarte Berry, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast | E♭ Major | 1 | 5B | 167 BPM | ||
Scheherazade: The Young Prince | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 91 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 0 BPM |