Louis-Antoine Dornel, Combattimento Consort Amsterdam, Han De Vries's 'Sonata en quator: II. Moderato' came out on February 5, 2013. The duration of Sonata en quator: II. Moderato is about 3 minutes long, at 3:01. Based on our data, "Sonata en quator: II. Moderato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vivaldi & Bach & Albinoni & Fasch & Dornel: Hoboconcerten (Oboe concertos) by Han De Vries. The song's track number on the album is #14 out of 24 tracks. Sonata en quator: II. Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sonata en quator: II. Moderato by Louis-Antoine Dornel, Combattimento Consort Amsterdam, Han De Vries has a tempo of 36 beats per a minute, the tempo markings of this song would be Grave (very slow). With Sonata en quator: II. Moderato being at 36 テンポ, the half-time would be 18 テンポ with a double-time of 72 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture for Strings & Continuo in A Major: V. Rondeau - Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Major | 3 | 12B | 200 BPM | ||
Scarlatti, D: Keyboard Sonata in E Major, Kk. 531 | Domenico Scarlatti, Scott Ross | D♭ Major | 5 | 3B | 116 BPM | ||
Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 3 | 5A | 69 BPM | ||
Suite en Trio No. 1 in A Minor, Op. 1: V. Caprice | Louis-Antoine Dornel, Musica Barocca | F♯ Major | 1 | 2B | 85 BPM | ||
Suite en Trio No. 1 in A Minor, Op. 1: VI. Gigue | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 57 BPM | ||
12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: IV. Adagio | Francesco Geminiani, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM | ||
Suite en Trio No. 1 in A Minor, Op. 1: III. Rondeau | Louis-Antoine Dornel, Musica Barocca | A♭ Minor | 1 | 1A | 78 BPM | ||
Violin Sonata in G Major, Op. 2 No. 5: IV. Gigue. Allegro assai | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | A♭ Minor | 1 | 1A | 73 BPM | ||
6 Sonates meleese de pieces, Op. 2: IV. Sonata in G minor "La Lumagne”: I. Adagio | Michel Blavet, Claudio Ferrarini, Accademia Farnese | D Major | 1 | 10B | 63 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: IV. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM |