"Nuovo Cinema Paradiso: Tema d'amore (Arr. Haginomori for Violin and Piano)" by Ennio Morricone, 東 亮汰, 髙木竜馬 was released on October 25, 2023. The duration of Nuovo Cinema Paradiso: Tema d'amore (Arr. Haginomori for Violin and Piano) is about 3 minutes long, at 3:15. Based on our data, "Nuovo Cinema Paradiso: Tema d'amore (Arr. Haginomori for Violin and Piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Piacere - Violin Pieces". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Japan. In terms of popularity, Nuovo Cinema Paradiso: Tema d'amore (Arr. Haginomori for Violin and Piano) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nuovo Cinema Paradiso: Tema d'amore (Arr. Haginomori for Violin and Piano) by Ennio Morricone, 東 亮汰, 髙木竜馬 having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
e小調第五號交響曲第二章 | Fan Tsung-pei, 李哲音 | F Major | 2 | 7B | 128 BPM | ||
Spiegel im Spiegel | KaJeng Wong, Arvo Pärt | F Major | 1 | 7B | 129 BPM | ||
Cavalleria Rusticana: "Intermezzo" | Pietro Mascagni, Luca Rasca, Roberto Noferini | C Minor | 0 | 5A | 78 BPM | ||
33 Miniatures for Piano (Excerpts): No. 30, Dolcissimo | Giya Kancheli, Elisaveta Blumina | E Minor | 0 | 9A | 73 BPM | ||
Romanza senza parole | Damiano Davide, Lino Cannavacciuolo | D Minor | 2 | 7A | 178 BPM | ||
Emily | Polina Nazaykinskaya, Katya Kramer-Lapin | E Minor | 3 | 9A | 162 BPM | ||
Suite populaire espagnole (Arr. for Cello & Piano): III. Canción | Manuel de Falla, Duo Arnicans | G Major | 1 | 9B | 89 BPM | ||
Rabbit with Gravy | Marcel Barsotti | G Minor | 0 | 6A | 110 BPM | ||
Lim Fantasy of Companionship Suite for Piano, Flute and Strings Octet, Act I: Transition to Origins | Manu Martin, Mark Bebbington, Royal Philharmonic Orchestra | G Major | 3 | 9B | 136 BPM | ||
Sapphische Ode | Johannes Brahms, Jungin Huh | D Major | 1 | 10B | 74 BPM |