Niccolò Paganini, Roberto Pasquini made "24 Caprices, Op. 1: No. 9 in E Major, La caccia: Allegretto - Transcription By Roberto Pasquini" available on February 23, 2024. The duration of 24 Caprices, Op. 1: No. 9 in E Major, La caccia: Allegretto - Transcription By Roberto Pasquini is about 3 minutes long, at 3:03. Based on our data, "24 Caprices, Op. 1: No. 9 in E Major, La caccia: Allegretto - Transcription By Roberto Pasquini" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Nicolò Paganini: 24 Caprices Op. 1 for Unaccompanied Flute (Transcription by Roberto Pasquini)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Italy. 24 Caprices, Op. 1: No. 9 in E Major, La caccia: Allegretto - Transcription By Roberto Pasquini is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With 24 Caprices, Op. 1: No. 9 in E Major, La caccia: Allegretto - Transcription By Roberto Pasquini by Niccolò Paganini, Roberto Pasquini having a テンポ of 66 with a half-time of 33 テンポ and a double-time of 132 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
The Four Seasons - Summer in G Minor, RV. 315: I. Allegro non molto – Allegro | Antonio Vivaldi, Adrian Chandler, La Serenissima | G Minor | 2 | 6A | 147 BPM | ||
Tartini / Arr. Kreisler: Violin Sonata in G Minor "Devil's Trill": I. Larghetto affetuoso | Giuseppe Tartini, David Oistrakh, Vladimir Yampolsky | G Minor | 1 | 6A | 103 BPM | ||
Prelude in G Minor, Op. 23, No. 5 - Live at Philharmonie, Berlin / 2018 | Sergei Rachmaninoff, Yuja Wang | G Minor | 2 | 6A | 114 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": I. Larghetto | Giuseppe Tartini, Ray Chen | B♭ Major | 0 | 6B | 90 BPM | ||
L'arte dell'arco, B. F11: Variazione No. 4 | Giuseppe Tartini, Alessandro Clerici | F Major | 3 | 7B | 125 BPM | ||
Violin Concerto In D, Op. 35, TH. 59: 2. Canzonetta: Andante - attacca: | Pyotr Ilyich Tchaikovsky, Gidon Kremer, Berliner Philharmoniker, Lorin Maazel | E♭ Major | 2 | 5B | 111 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM |