Nicholas Boulton, Jeremy Siepmann's 'Life and Works of Mozart: Variations on 'Ah, vous dirai-je, Maman', K.265' came out on July 30, 2002. The duration of Life and Works of Mozart: Variations on 'Ah, vous dirai-je, Maman', K.265 is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Life and Works of Mozart: Variations on 'Ah, vous dirai-je, Maman', K.265's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nicholas Boulton's "Life and Works: Mozart" album is number 11 out of 65. In terms of popularity, Life and Works of Mozart: Variations on 'Ah, vous dirai-je, Maman', K.265 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Life and Works of Mozart: Variations on 'Ah, vous dirai-je, Maman', K.265 by Nicholas Boulton, Jeremy Siepmann to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Duo No. 2 for Violin and Viola in D Minor: III. Rondo. Allegro | Carl Stamitz, Gabriela Demeterová | D Major | 1 | 10B | 141 BPM | ||
25 Études faciles et progressives, Op. 100: No. 6, Progrès | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 124 BPM | ||
Boarisch | The Royal Wind Music | C Major | 1 | 8B | 67 BPM | ||
Primavera-花降る日 | 冬野ユミ | C Major | 1 | 8B | 170 BPM | ||
Divertimento in F for String Ensemble, K.138: iii. Presto | Mozart, English Chamber Orchestra, David Blum | C Major | 1 | 8B | 76 BPM | ||
Miserere, ZWV 57: V. Sicut erat et Miserere III | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | F♯ Minor | 3 | 11A | 77 BPM | ||
Concerto grosso No. 12 in B Minor, Op. 6/12, HWV 330: III. Larghetto, e piano | George Frideric Handel, Trevor Connah, Raymond Keenlyside, Thurston Dart, Sir Andrew Davis, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 169 BPM | ||
Narration (4) | Davinia Caddy, Nicholas Boulton | A♭ Major | 1 | 4B | 64 BPM | ||
Mozart a 9 anni - Elaborazioni per orchestra d'epoca: 5. Allegro in D Minor (Londoner Skizzenbuch n.20, K.15u) | Salvatore Sciarrino, Wolfgang Amadeus Mozart, Orchestra di Padova e del Veneto, Marco Angius | F Major | 0 | 7B | 76 BPM | ||
Charpentier: Te Deum, H. 146: XI. Fiat misericordia | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM |