Puccini: Turandot, Act 3: "Principessa divina!" (Turandot, Calaf, Liù, Ping, Crowd)

Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Elisabeth Schwarzkopf, Eugenio Fernandi, Mario Borriello, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin
Puccini: Turandot (1957 - Serafin) - Callas Remastered
2:43 1958日
テンポ
78
キー
F♯ Major
キャメロットミュージックキー
2B

リンクを埋め込む

共有

Puccini: Turandot, Act 3: "Principessa divina!" (Turandot, Calaf, Liù, Ping, Crowd) - Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Elisabeth Schwarzkopf, Eugenio Fernandi, Mario Borriello, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin 情報

音響性
89%
ダンサビリティ
23%
エネルギー
25%
手段性
10%
活気
33%
ラウドネス
83%
話し言葉
3%
価数
8%
人気
ラウドネス
-10.069 dB

まとめ

"Puccini: Turandot, Act 3: "Principessa divina!" (Turandot, Calaf, Liù, Ping, Crowd)" by Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Elisabeth Schwarzkopf, Eugenio Fernandi, Mario Borriello, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin was released on 1958. The duration of Puccini: Turandot, Act 3: "Principessa divina!" (Turandot, Calaf, Liù, Ping, Crowd) is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Puccini: Turandot, Act 3: "Principessa divina!" (Turandot, Calaf, Liù, Ping, Crowd)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Puccini: Turandot (1957 - Serafin) - Callas Remastered". In this album, this song's track order is #36. Furthermore, we believe that the track originated from United Kingdom. Puccini: Turandot, Act 3: "Principessa divina!" (Turandot, Calaf, Liù, Ping, Crowd) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Puccini: Turandot, Act 3: "Principessa divina!" (Turandot, Calaf, Liù, Ping, Crowd) テンポ

With Puccini: Turandot, Act 3: "Principessa divina!" (Turandot, Calaf, Liù, Ping, Crowd) by Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Elisabeth Schwarzkopf, Eugenio Fernandi, Mario Borriello, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Puccini: Turandot, Act 3: "Principessa divina!" (Turandot, Calaf, Liù, Ping, Crowd) キー

This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinE♭ Major05B79 BPM
Madama Butterfly (1986 - Remaster), Act II: C'è. Entrate (Goro/Sharpless/Butterfly) by Giacomo Puccini, Renata Scotto, Rolando Panerai, Piero de Palma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di RomaMadama Butterfly (1986 - Remaster), Act II: C'è. Entrate (Goro/Sharpless/Butterfly)Giacomo Puccini, Renata Scotto, Rolando Panerai, Piero de Palma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di RomaE Major112B165 BPM
Tristan und Isolde / Act 3: Tristan und Isolde / Act 3: "Mild und leise wie er lächelt"Richard Wagner, Margaret Price, Staatskapelle Dresden, Carlos KleiberB Major21B90 BPM
Vier Lieder, Op. 27, TrV 170: 4. Morgen by Richard Strauss, Renée Fleming, English Chamber Orchestra, Jeffrey TateVier Lieder, Op. 27, TrV 170: 4. MorgenRichard Strauss, Renée Fleming, English Chamber Orchestra, Jeffrey TateG Major39B76 BPM
Madame Butterfly - Grosser Querschnitt: Du, du, du by Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper BerlinMadame Butterfly - Grosser Querschnitt: Du, du, duAlfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper BerlinC Major18B82 BPM
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?"Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond LeppardD Major110B96 BPM
Mattinata (Orch. Luck) by Ruggero Leoncavallo, Freddie De Tommaso, London Philharmonic Orchestra, Renato BalsadonnaMattinata (Orch. Luck)Ruggero Leoncavallo, Freddie De Tommaso, London Philharmonic Orchestra, Renato BalsadonnaB Major31B84 BPM
Le nozze di Figaro, K.492 / Act 3: Le nozze di Figaro, K.492 / Act 3: "Dove sono i bei momenti"Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James LevineC Major18B90 BPM
Strauss, R: 4 Letzte Lieder: No. 4, Im Abendrot by Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester BerlinStrauss, R: 4 Letzte Lieder: No. 4, Im AbendrotRichard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester BerlinB♭ Major16B82 BPM
Le nozze di Figaro, K.492 - Original version, Vienna 1786 / Act 2: Le nozze di Figaro, K.492 - Original version, Vienna 1786 / Act 2: "Voi che sapete"Wolfgang Amadeus Mozart, Cecilia Bartoli, Vienna Chamber Orchestra, György FischerB♭ Major16B119 BPM
ISRC
GBAYC1400848
レコードレーベル
L-M Records/RCA Records