"Feria Sexta, Tenebrae Responsories for Good Friday: II. Velum templi" by Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent was released on September 24, 2013. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent's "Gesualdo: Responsoria 1611" album is number 11 out of 29. Based on our statistics, Feria Sexta, Tenebrae Responsories for Good Friday: II. Velum templi's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Feria Sexta, Tenebrae Responsories for Good Friday: II. Velum templi by Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent to be Allegro (fast, quick, and bright) because the track has a tempo of 131 テンポ, a half-time of 66テンポ, and a double-time of 262 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abendlied | Conrad Beck, Basler Madrigalisten, Raphael Immoos | C Minor | 1 | 5A | 112 BPM | ||
Missa Prolationum: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | F♯ Major | 1 | 2B | 79 BPM | ||
Ave Maria a 6 voci | Francesco Usper, The Marian Consort, The Illyria Consort, Rory McCleery, Bojan Čičić | F♯ Major | 2 | 2B | 86 BPM | ||
The Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58b | Thomas Morley, Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 135 BPM | ||
6 Chansons: No. 1. La biche | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | D♭ Minor | 1 | 12A | 102 BPM | ||
Sinfonia A Quattro Antica | Robert Craft, Carlo Gesualdo | G Minor | 2 | 6A | 172 BPM | ||
Guerrero: Dios los extremos condena | A5 Vocal Ensemble, Francisco Guerrero | G Minor | 1 | 6A | 126 BPM | ||
Aimè, ch'io moro: Aime, ch'io moro | Marchetto Cara, Tessa Bonner, James Gilchrist, Julian Podger, Jonathan Arnold | D Major | 1 | 10B | 93 BPM | ||
Qui en la garde du haut Dieu pour jamais se retire (Ps. 91) | Jan Pieterszoon Sweelinck, Daniel Reuss, Cappella Amsterdam | B Minor | 2 | 10A | 91 BPM | ||
Jephte: XVIII. Coro a 6 | Giacomo Carissimi, Consortium Carissimi, Vittorio Zanon | G Minor | 1 | 6A | 81 BPM |