"Atalanta Fugiens: Fugue 29" by Emily Van Evera, Rufus Müller, Richard Wistreich had its release date on January 1, 1986. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Maier: Atalanta Fugiens" album is number 29 out of 50. On top of that, United Kingdom appears to be the country where this track was created. Atalanta Fugiens: Fugue 29 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Atalanta Fugiens: Fugue 29 by Emily Van Evera, Rufus Müller, Richard Wistreich to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Alfons V El Magnànim: Adoramus te (4v.) (El Cancionero de Montecassino, Música Religiosa) | La Capella Reial De Catalunya | E Minor | 0 | 9A | 114 BPM | ||
Messiah HWV56, (PART 1): Rejoice greatly, O daughter of Zion | George Frideric Handel, Emma Kirkby, Emily Van Evera, Margaret Cable, James Bowman, Joseph Cornwell, Taverner Players, Andrew Parrott, David Thomas, Taverner Choir | D♭ Major | 2 | 3B | 91 BPM | ||
Angelica biltà | Francesco Landini, Anonymous 4 | A Major | 0 | 11B | 81 BPM | ||
Messe de Notre Dame: Kyrie | Guillaume de Machaut, Amarcord | D Major | 2 | 10B | 79 BPM | ||
Purcell: If Music Be the Food of Love, Z. 379 | Henry Purcell, Emily Van Evera/Andrew Parrott, Emily Van Evera | F Minor | 0 | 4A | 165 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Qual Lege Move | Bartolino da Padova, Ensemble Syntagma, Alexandre Danilevski | E Major | 1 | 12B | 141 BPM | ||
Morgonljos | Anna Maria Friman, Linn Andrea Fuglseth, Trio Mediæval | C Major | 0 | 8B | 73 BPM | ||
Ita se n'er'a star | Lorenzo Masini, Palatino87 | G Minor | 1 | 6A | 67 BPM |