"The Perfect Fool, Ballet Music Op. 39: 1. Introduction - Dance of Spirits of Earth" by Gustav Holst, London Philharmonic Orchestra, Sir Adrian Boult had its release date on January 1, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 24 in the song's album "The Essential Holst". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. The Perfect Fool, Ballet Music Op. 39: 1. Introduction - Dance of Spirits of Earth is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Perfect Fool, Ballet Music Op. 39: 1. Introduction - Dance of Spirits of Earth by Gustav Holst, London Philharmonic Orchestra, Sir Adrian Boult having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Printemps, L. 61: I. Très modéré | Claude Debussy, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B Major | 0 | 1B | 88 BPM | ||
Rodeo: 4 Dance Episodes: No. 4. Hoe-Down | Aaron Copland, Buffalo Philharmonic Orchestra | G Major | 3 | 9B | 125 BPM | ||
Ma mère l'Oye, M. 60 (Version for Orchestra): V. The Fairy Garden (Le jardin feerique) | Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek | G Minor | 1 | 6A | 117 BPM | ||
St. Paul's Suite Op. 29/2: Jig | Gustav Holst, Ross Pople | G Major | 1 | 9B | 74 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
A Fugal Concerto, Op. 40: III. Allegro | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | G Major | 2 | 9B | 82 BPM | ||
Holberg Suite, Op. 40: 1. Präludium (Allegro vivace) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 135 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): III. The Drayman's Dance (Variations) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Minor | 3 | 4A | 82 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM |