"Congregavit nos in unum Christi amor (Antiphon for the Washing of the Feet on Holy Thursday)" by Traditional, Konrad Ruhland, Capella Antiqua München, Choralschola was released on 1977. The duration of Congregavit nos in unum Christi amor (Antiphon for the Washing of the Feet on Holy Thursday) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Congregavit nos in unum Christi amor (Antiphon for the Washing of the Feet on Holy Thursday)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Traditional, Konrad Ruhland's "Konrad Ruhland Conducts Gregorian Chant" album is number 9 out of 63. The popularity of Congregavit nos in unum Christi amor (Antiphon for the Washing of the Feet on Holy Thursday) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Congregavit nos in unum Christi amor (Antiphon for the Washing of the Feet on Holy Thursday) by Traditional, Konrad Ruhland, Capella Antiqua München, Choralschola to be Vivace (lively and fast) because the track has a tempo of 173 テンポ, a half-time of 86テンポ, and a double-time of 346 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Are mou rindineddha | Christina Pluhar, Traditional, L'Arpeggiata, Katerina Papadopoulou | B Minor | 2 | 10A | 81 BPM | ||
Veni Creator | Thomas Aquinas. et al., Kitty Cleveland | A♭ Major | 2 | 4B | 76 BPM | ||
O Salve Regina | Alice Tegner, Lund Korallerna Girls Choir, Lund Cantores Cathedrales, Eva Svanholm Bohlin | G Minor | 1 | 6A | 82 BPM | ||
Chant Lithurgique (Paix Avec Nous) | Ensemble des chants et choeurs russes orthodoxes | D♭ Minor | 0 | 12A | 74 BPM | ||
Folias Gallegas (arr. G. Herreid) | Santiago De Murcia, Grant Herreid, Piffaro | A♭ Major | 0 | 4B | 132 BPM | ||
Contre Qui, Rose | Nordic Chamber Choir | B♭ Minor | 1 | 3A | 139 BPM | ||
Hymn To The Mother Of God (Bogoroditse Devo) | Vasily Kalinnikov, Dmitri Hvorostovsky, St.Petersburg Chamber Choir, Nikolai Korniev | D Minor | 0 | 7A | 87 BPM | ||
The Call (From 'Five Mystical Songs') (Arr. Harry D Bennett) | Ralph Vaughan Williams, Apollo5 | F Minor | 0 | 4A | 73 BPM | ||
Traditional: La canzone di Cecilia (Arr. Pluhar) | Traditional, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto | C Minor | 0 | 5A | 145 BPM | ||
Покаяния отверзи ми двери | St. Peter St. Paul Cathedral Choir of Minsk | G Major | 2 | 9B | 66 BPM |