"Part III. Overture in B-Flat Major: VII. Menuet" by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz was released on October 21, 2010. The duration of Part III. Overture in B-Flat Major: VII. Menuet is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Part III. Overture in B-Flat Major: VII. Menuet's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. Part III. Overture in B-Flat Major: VII. Menuet is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Part III. Overture in B-Flat Major: VII. Menuet by Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in C Minor, Op. 1, No. 2: IV. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Minor | 3 | 5A | 149 BPM | ||
Suite No. 1 in G Major, Z. 660: II. Almand | Henry Purcell, Richard Egarr | F Major | 2 | 7B | 69 BPM | ||
Concerto In G Minor For Flute & Strings, Op.10, No.2, RV439 - "La notte": 3. Largo | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | E Major | 0 | 12B | 86 BPM | ||
Concerto Grosso in D Minor, Op. 3, No. 5: II. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 122 BPM | ||
Sinfonia in D Major, F. 64: III. Vivace | Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Major | 1 | 3B | 172 BPM | ||
Violin Sonata in E-Flat Major: I. Allegretto | Franz Benda, Georg Kallweit, Berlin Baroque Compagney | D Major | 0 | 10B | 78 BPM | ||
Trio Sonata in G Minor: II. Allegro un poco | Johann Friedrich Fasch, Danubius Ensemble | C Minor | 2 | 5A | 122 BPM | ||
Concerto for 2 Oboes in D Major, Op. 7, No. 8: I. Allegro | Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John Georgiadis | D Major | 3 | 10B | 109 BPM | ||
Concerto for Descant Recorder, Strings, and Continuo in F: 1. Allegro | Giovanni Battista Sammartini, Michala Petri, Academy of St. Martin in the Fields, Iona Brown | F Major | 1 | 7B | 127 BPM | ||
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638 - If my Celia could persuade | Claudio Monteverdi, Alfred Deller, Deller Consort | F Minor | 3 | 4A | 92 BPM |