Douglas Adams, Martin Freeman made "Chapter 18 - The Restaurant at the End of the Universe - The Hitchhiker's Guide to the Galaxy, Book 2" available on 1980. The duration of Chapter 18 - The Restaurant at the End of the Universe - The Hitchhiker's Guide to the Galaxy, Book 2 is about 3 minutes long, at 3:05. Based on our data, "Chapter 18 - The Restaurant at the End of the Universe - The Hitchhiker's Guide to the Galaxy, Book 2" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 113 in the song's album "The Restaurant at the End of the Universe [The Hitchhiker's Guide to the Galaxy, Book 2 (Unabridged)]". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Germany. In terms of popularity, Chapter 18 - The Restaurant at the End of the Universe - The Hitchhiker's Guide to the Galaxy, Book 2 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Chapter 18 - The Restaurant at the End of the Universe - The Hitchhiker's Guide to the Galaxy, Book 2 by Douglas Adams, Martin Freeman having a テンポ of 104 with a half-time of 52 テンポ and a double-time of 208 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An Annoying Neighbour | Assimil | D♭ Major | 4 | 3B | 212 BPM | ||
Chapter 25 - Enemies to Lovers | Portia MacIntosh, Karen Cass | D♭ Major | 1 | 3B | 102 BPM | ||
Redemption | Alicia Bings | A Major | 1 | 11B | 125 BPM | ||
Pinocchio, Pt. 20 | Fairy Tales for Kids | B♭ Minor | 5 | 3A | 118 BPM | ||
Lemme ask you 1 question | maXbangZ | D♭ Major | 1 | 3B | 93 BPM | ||
Cinderella Page 07 | Classic Books | A Major | 2 | 11B | 167 BPM | ||
Chapter 218 - The Dream Thieves - The Raven Cycle, Book 2 | Maggie Stiefvater, Will Patton | A Major | 2 | 11B | 70 BPM | ||
Cinderella Page 09 | Classic Books | A Major | 2 | 11B | 76 BPM | ||
1 Corinthians 1.2 - Voice Only Audio Bible - New King James Version, NKJV (Narrated by Simon Bubb): New Testament | Thomas Nelson Bibles | F♯ Minor | 2 | 11A | 84 BPM | ||
Chapter 12 - Rainbow Magic: Sunny the Yellow Fairy | Daisy Meadows, Kathleen McInerney | B Minor | 2 | 10A | 120 BPM |