"Debussy: Ariettes oubliées, CD 63b, L. 60: No. 4, Paysages belges. Chevaux de bois (Second Version)" by Claude Debussy, Sabine Devieilhe, Alexandre Tharaud was released on September 11, 2020. The duration of Debussy: Ariettes oubliées, CD 63b, L. 60: No. 4, Paysages belges. Chevaux de bois (Second Version) is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Debussy: Ariettes oubliées, CD 63b, L. 60: No. 4, Paysages belges. Chevaux de bois (Second Version)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 25 out of 29 in Chanson d'Amour by Sabine Devieilhe, Alexandre Tharaud. In terms of popularity, Debussy: Ariettes oubliées, CD 63b, L. 60: No. 4, Paysages belges. Chevaux de bois (Second Version) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Debussy: Ariettes oubliées, CD 63b, L. 60: No. 4, Paysages belges. Chevaux de bois (Second Version) by Claude Debussy, Sabine Devieilhe, Alexandre Tharaud is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
Carnival of the Animals, R. 125: The Swan | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | G Major | 0 | 9B | 118 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Adagio in E Major, K. 261 | Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Unaccompanied Cello Suite No. 1 in G major, BWV 1007: I. Prélude | Johann Sebastian Bach, Yo-Yo Ma | G Major | 1 | 9B | 137 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Glenn Gould | A♭ Major | 5 | 4B | 136 BPM |