"Attila: "Mentre gonfiarsi l'anima"" by Giuseppe Verdi, Ildar Abdrazakov, Orchestre Métropolitain, Yannick Nézet-Séguin was released on August 16, 2019. The duration of Attila: "Mentre gonfiarsi l'anima" is about 3 minutes long, at 3:07. Based on our data, "Attila: "Mentre gonfiarsi l'anima"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi by Giuseppe Verdi, Ildar Abdrazakov, Chœur Métropolitain, Orchestre Métropolitain, Yannick Nézet-Séguin. The song's track number on the album is #2 out of 25 tracks. The popularity of Attila: "Mentre gonfiarsi l'anima" is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Attila: "Mentre gonfiarsi l'anima" by Giuseppe Verdi, Ildar Abdrazakov, Orchestre Métropolitain, Yannick Nézet-Séguin has a tempo of 167 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Attila: "Mentre gonfiarsi l'anima" being at 167 テンポ, the half-time would be 84 テンポ with a double-time of 334 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, Act I, No.4 Choeur des Cigarières: Voyez-les! regards impudents....Dans l'air nous suivons des yeux (Dragons/Cigarières) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | E Major | 1 | 12B | 85 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Verdi: La traviata, Act 3: "Annina? Comandate?" (Violetta, Annina, Doctor) | Giuseppe Verdi, Maria Callas, Ines Marietti, Mario Zorgniotti, Orchestra Sinfonica Di Torino Della Rai, Gabriele Santini | A♭ Major | 0 | 4B | 123 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | ||
Così fan tutte, K. 588 / Act I: "Un'aura amorosa" | Wolfgang Amadeus Mozart, Rolando Villazón, Chamber Orchestra of Europe, Yannick Nézet-Séguin | D Minor | 4 | 7A | 110 BPM | ||
Tannhäuser, WWV 70 / Act 2: "Dich, teure Halle, grüß ich wieder" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 169 BPM | ||
Turandot / Act 1: "Gira la cote!" | Giacomo Puccini, John Alldis Choir, Wandsworth School Boys Choir, London Philharmonic Orchestra, Zubin Mehta | F♯ Major | 0 | 2B | 74 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
La forza del destino, Act II, Scene I: Sta bene | Giuseppe Verdi, Tiziano Tassi, Simona Marcello, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | A Major | 2 | 11B | 77 BPM | ||
La traviata / Act 2: "Lunge da lei...De' miei bollenti spiriti" | Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 1 | 4B | 82 BPM |