Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's made "Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 1. Sinfonia. Grave - Voice" available on April 21, 1992. With Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 1. Sinfonia. Grave - Voice being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 23 in Baroque Duet by Wynton Marsalis. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 1. Sinfonia. Grave - Voice's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 1. Sinfonia. Grave - Voice by Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's is Allegro (fast, quick, and bright), since this song has a tempo of 128 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Membra Jesu Nostri, BuxWV 75, Ad pedes: Concerto "Ecce super montes pedes evangelizantis" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | F Minor | 2 | 4A | 131 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM | ||
Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 1 Les Tendres Plaintes - Rondeau | Jean-Philippe Rameau, Jean Rondeau | C Minor | 3 | 5A | 87 BPM | ||
Sei Concerti in sette parti: No. 1 in F Minor: III. Largo | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | E Minor | 2 | 9A | 94 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Concerto Grosso in A Minor, Op. 3, No. 2: II. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 108 BPM | ||
Suite From Abdelzar: VI. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 2 | 11A | 101 BPM | ||
Spanish Folies in D Minor | Francois Loeb, Alessandro Scarlatti | D Minor | 1 | 7A | 108 BPM | ||
La Lezione di Musica, H. 547: Aria "Mi fa morir" | Alessandro Scarlatti, Lucile Richardot, Philippe Grisvard | F Minor | 3 | 4A | 81 BPM |