Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke, Mady Rahl, Fritz Rasp, Ernst Fritz Fürbringer, Herbert Ernst Groh, Brigitte Mira, Willy Hofmann, Benno Kusche, Esther Rethy made "Arizona Lady: Act II - " Wenn ich so sing, wenn ich so tanze "" available on November 24, 2011. With Arizona Lady: Act II - " Wenn ich so sing, wenn ich so tanze " being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Kalmann: Arizona Lady" album is number 37 out of 45. Based on our statistics, Arizona Lady: Act II - " Wenn ich so sing, wenn ich so tanze "'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Arizona Lady: Act II - " Wenn ich so sing, wenn ich so tanze " by Bavarian Radio Symphony Orchestra, Werner Schmidt-Boelcke, Mady Rahl, Fritz Rasp, Ernst Fritz Fürbringer, Herbert Ernst Groh, Brigitte Mira, Willy Hofmann, Benno Kusche, Esther Rethy to be Allegro (fast, quick, and bright) because the track has a tempo of 144 テンポ, a half-time of 72テンポ, and a double-time of 288 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petrushka, Tableau I: Tableau I: The Shrovetide Fair | Igor Stravinsky, Bavarian Radio Symphony Orchestra, Mariss Jansons | G Major | 2 | 9B | 82 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
Karelia Suite, Op. 11: III. Alla marcia. Moderato (Live) | Jean Sibelius, Bavarian Radio Symphony Orchestra, Mariss Jansons | A Major | 3 | 11B | 170 BPM | ||
Il barbiere di Siviglia / Act 2: No.15 Temporale (Thunderstorm) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | C Major | 2 | 8B | 91 BPM | ||
Symphony No. 2 in C Minor, WAB 102: III. Scherzo. Maessig schnell | Anton Bruckner, Bavarian Radio Symphony Orchestra, Eugen Jochum | G Major | 2 | 9B | 99 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Credo: Et resurrexit | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 3 | 10B | 121 BPM | ||
Orchestral Suite No. 1 in C Major, BWV 1066: IV. Forlane (Live) | Johann Sebastian Bach, Bavarian Radio Symphony Orchestra, Giovanni Antonini | A Major | 1 | 11B | 107 BPM |