"The Creation, Hob.XXI,2: Pt. 1, With Verdure Clad the Fields Appear Delightful" by Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Harry Christophers had its release date on 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Joseph Haydn, Handel & Haydn Society, Harry Christophers's "Haydn: The Creation & The Paris Symphonies" album is number 9 out of 56. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Creation, Hob.XXI,2: Pt. 1, With Verdure Clad the Fields Appear Delightful's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Creation, Hob.XXI,2: Pt. 1, With Verdure Clad the Fields Appear Delightful by Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Harry Christophers to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mass No. 2 in G Major, D. 167: Benedictus: Benedictus qui venit | Franz Schubert, Claudia Reinhard, Rüdiger Ballhorn, Markus Flaig, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Elijah, Op. 70, MWV A25 / Part 2: "Oh rest in the Lord, wait patiently for Him" | Felix Mendelssohn, Patricia Bardon, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | D♭ Minor | 1 | 12A | 124 BPM | ||
Frauenliebe und -leben Op.42: 4. Du Ring an meinem Finger | Robert Schumann, Anne Sofie von Otter, Bengt Forsberg | E♭ Major | 0 | 5B | 170 BPM | ||
Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Sanctus - Allegro | American Bach Soloists | B♭ Major | 2 | 6B | 110 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Agnus Dei qui tollis | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 68 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: IX. Fiat misericordia tua Domine | Marc-Antoine Charpentier, Véronique Gens, Noemi Rime, Les Arts Florissants, Bernard Deletré, William Christie | D♭ Major | 0 | 3B | 106 BPM | ||
L'olimpiade, RV 725: Non so donde viene quel tenero affetto. Clistene, aria | Antonio Vivaldi, Riccardo Novaro, Concerto Italiano, Rinaldo Alessandrini | E Minor | 1 | 9A | 109 BPM | ||
St. John Passion, BWV 245: Part I: Chorale: Petrus, der nicht denkt zuruck (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Major | 2 | 4B | 117 BPM | ||
Petite Messe solennelle - Gloria: Cum Sancto Spiritu | Gioachino Rossini, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 81 BPM | ||
The Creation, Hob.XXI,2: Pt. 1, The Heavens are Telling the Glory of God | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers | D Major | 1 | 10B | 74 BPM |