"Hör´an, Wolfram, hör´an (Tannhäuser)" by Max Lorenz, Wiener Philharmoniker was released on August 22, 2006. Since Hör´an, Wolfram, hör´an (Tannhäuser) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Max Lorenz's "Max Lorenz - The complete Electrola Recordings" album is number 33 out of 33. Hör´an, Wolfram, hör´an (Tannhäuser) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hör´an, Wolfram, hör´an (Tannhäuser) by Max Lorenz, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein Schwert verhiess mir der Vater (Die Walküre) | Margarete Teschemacher, Staatskapelle Dresden, Kurt Böhme, Max Lorenz | C Major | 3 | 8B | 86 BPM | ||
Requiem, Op. 63: Ib. Te decet hymnus – | Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | E Minor | 1 | 9A | 79 BPM | ||
Czardasfürstin - Live | André Rieu, Johann Strauss Orchestra, The Platin Tenors, Anna Majchrzak, Micaëla Oeste, Madieke Schoots | F Major | 5 | 7B | 84 BPM | ||
Lucia di Lammermoor, Act I: La pietade in suo favore | Gaetano Donizetti, Stefano Antonucci, Mariano Buccino, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | G Major | 3 | 9B | 72 BPM | ||
Don Giovanni, K. 527, Act I: Dalla sua pace - Remastered 2024 | Wolfgang Amadeus Mozart, Anton Dermota, Karl Böhm, Wiener Philharmoniker | B♭ Major | 1 | 6B | 96 BPM | ||
Salome, Op. 54, TrV 215: Scene 4: Ah! Du wolltest mich nicht (Salome) | Richard Strauss, Max Lorenz, Margarete Klose, Inge Borkh, Ferdinand Frantz, Franz Fehringer, Christa Ludwig, Herbert Hess, Oskar Wittazscheck, Aage Poulsen, Frithjof Sentpaul, Georg Stern, Ludwig Welter, August Heimpel, Hr-sinfonieorchester, Kurt Schröder | F♯ Minor | 2 | 11A | 84 BPM | ||
Fantasia symphonica: III. Allegro scherzoso | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | F Major | 1 | 7B | 94 BPM | ||
Copland: Suite from Appalachian Spring: IV. The Revivalist and His Flock. Fast (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
Die Fledermaus: Act I: Duet: Komm mit mir zum Souper (Eisenstein, Falke) | Johann Strauss II, Paul Armin Edelmann, Miljenko Turk, Cologne West German Radio Orchestra, Friedrich Haider | F♯ Major | 0 | 2B | 169 BPM | ||
Dir töne Lob (Tannhäuser) | Max Lorenz, Orchester Der Staatsoper Berlin | D Major | 4 | 10B | 168 BPM |