Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen's 'Sonata No. 1 in A Major: I. 01 1. Andante' came out on November 7, 2023. The duration of Sonata No. 1 in A Major: I. 01 1. Andante is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Sonata No. 1 in A Major: I. 01 1. Andante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 26 in Francesco Geminiani: Sonates pour le violoncelle et basse continue I–VI by Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Sonata No. 1 in A Major: I. 01 1. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata No. 1 in A Major: I. 01 1. Andante by Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Minor, Op. 2, No. 3: I. Presto | Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 3 | 12A | 115 BPM | ||
Concerto in D Major for Oboe Solo and Strings, Op. 7 No. 6: II. Adagio | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Chamber Orchestra, Nicol Matt | C Major | 0 | 8B | 141 BPM | ||
Abdelazar Suite, Z. 570: IX. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Symphony in A Major, J-C 62: IIIa. Presto assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 2 | 4B | 119 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 6 : III. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D Minor | 1 | 7A | 55 BPM | ||
Concerto Grosso in D Major, Op. 3, No. 9: II. Presto | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | D Major | 4 | 10B | 137 BPM | ||
Mystery (Rosary) Sonata No. 13, "Pentecost": III. Gigue | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 2 | 12A | 113 BPM | ||
Burlesque de Quixotte: III. Son Attaque des moulins à vent | Georg Philipp Telemann, Simon Standage, Collegium Musicum 90 | D♭ Major | 4 | 3B | 134 BPM | ||
Trumpet Concerto in D Major, TWV 51:D7: III. Grave | Georg Philipp Telemann, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | B♭ Minor | 0 | 3A | 66 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 141 BPM |