"Les 7 paroles du Christ (The 7 Last Words of Christ): Third Word" by Théodore Dubois, Teresa Maria Gomez, Kim Childs, Edward Pleasant, Texas United Methodist Church Choir, Lubbock, Gordon MacMillan was released on August 1, 2010. Les 7 paroles du Christ (The 7 Last Words of Christ): Third Word is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The song is number 6 out of 10 in Dubois: The 7 Last Words of Christ - Mendelssohn: Hear my Prayer by Théodore Dubois, Gordon MacMillan. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Les 7 paroles du Christ (The 7 Last Words of Christ): Third Word is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les 7 paroles du Christ (The 7 Last Words of Christ): Third Word by Théodore Dubois, Teresa Maria Gomez, Kim Childs, Edward Pleasant, Texas United Methodist Church Choir, Lubbock, Gordon MacMillan is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria | Probandi Benedittini Di San Giovanni In Parma | D Major | 2 | 10B | 103 BPM | ||
Veni, Lumen Cordium | Margaret Rizza | F Minor | 1 | 4A | 75 BPM | ||
Musiques sur l’eau: No. 6, Blancheurs d’ailes | Théodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve Niquet | D Major | 1 | 10B | 68 BPM | ||
Parce Domine | The Schola Cantorum of St. John XXIII Parish | D♭ Minor | 1 | 12A | 137 BPM | ||
4 Russian Peasant Songs, "Podblyudniye": No. 2. Ovsen' (Ovsen) | Igor Stravinsky, Alexandra Vlasenkova, Lege Artis Chamber Choir, Boris Abalyan | A♭ Major | 0 | 4B | 87 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
När natten skänker frid | Karin Rehnqvist, Stockholms Musikgymnasium Chamber Choir, Helene Stureborg | D Minor | 0 | 7A | 139 BPM | ||
Beati mortui | Dominican House of Studies | D♭ Major | 2 | 3B | 87 BPM | ||
Notre Père | Sexteto Cantábile | F♯ Major | 1 | 2B | 84 BPM | ||
Holy Spirit Mass: Fount of Life: Glory | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | B♭ Major | 4 | 6B | 80 BPM |