"6 Lieder, Op. 1: No. 1, Schwanenlied (arr. for brass ensemble by Jarle Storløkken)" by Fanny Mendelssohn, tenThing, Tine Thing Helseth was released on March 29, 2024. The duration of 6 Lieder, Op. 1: No. 1, Schwanenlied (arr. for brass ensemble by Jarle Storløkken) is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. 6 Lieder, Op. 1: No. 1, Schwanenlied (arr. for brass ensemble by Jarle Storløkken)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "She Composes Like A Man". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Norway. 6 Lieder, Op. 1: No. 1, Schwanenlied (arr. for brass ensemble by Jarle Storløkken) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Lieder, Op. 1: No. 1, Schwanenlied (arr. for brass ensemble by Jarle Storløkken) by Fanny Mendelssohn, tenThing, Tine Thing Helseth having a テンポ of 67 with a half-time of 34 テンポ and a double-time of 134 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
30 Kleine Choralvorspiele, Op. 135a: No. 30, Wunderbarer König (Arr. for Trumpet, Trombone & Brass Ensemble) | Max Reger, Gerson Raabe, Jean-François Michel, Bernhard Weiss, Laudate Domino Brass Ensemble | F♯ Major | 0 | 2B | 110 BPM | ||
Kauyumari | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel | D Minor | 1 | 7A | 74 BPM | ||
Suite for Unaccompanied Tuba: IV. Galop: Presto | Walter S. Hartley, David Zerkel | E Major | 7 | 12B | 112 BPM | ||
Lux Aeterna: III. Largo | Rihards Dubra, Saxtett | G Minor | 0 | 6A | 60 BPM | ||
Arutiunian: Trumpet Concerto: II | Alexander Arutiunian, Gert Skovlod Hattesen, Christian Lindberg, Prince of Denmark Air Force Band | A Major | 0 | 11B | 67 BPM | ||
Geh aus, mein Herz, und suche Freud: 1. Vorspiel | Badische Posaunenarbeit, Nordbadisches Blechbläserensemble | F Major | 1 | 7B | 64 BPM | ||
Dead March (From "Saul") | Capt. D.N. Taylor, The Band of H.M. Welsh Guards | E♭ Major | 6 | 5B | 126 BPM | ||
Coming Back for My Prison | Valhalla Orquestra, Bernard Canllant | D♭ Major | 8 | 3B | 166 BPM | ||
Wedding in the Carpathians (1938): Allegro vivo - Moderato - Allegretto | Paul Constantinescu, Oliver Triendl, Norddeutsche Philharmonie, Marcus Bosch | F Major | 0 | 7B | 108 BPM | ||
Mazovian Dance (arr. for brass ensemble by Jarle Storløkken) | Grażyna Bacewicz, tenThing, Tine Thing Helseth | A Minor | 0 | 8A | 66 BPM |