Guillaume de Machaut, Orlando Consort's 'Qui n'aroit autre deport, Lai 19, Remede de Fortune 1: XI. Fors tant, qu’en aucune maniere' came out on February 3, 2023. With Qui n'aroit autre deport, Lai 19, Remede de Fortune 1: XI. Fors tant, qu’en aucune maniere being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Guillaume de Machaut, Orlando Consort's "Machaut: Songs from Remede de Fortune (Complete Machaut Edition 9)" album is number 11 out of 56. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Qui n'aroit autre deport, Lai 19, Remede de Fortune 1: XI. Fors tant, qu’en aucune maniere is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Qui n'aroit autre deport, Lai 19, Remede de Fortune 1: XI. Fors tant, qu’en aucune maniere by Guillaume de Machaut, Orlando Consort to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Es fügt sich: I, II, III | Oswald von Wolkenstein, Andreas Scholl, Shields of Harmony, Crawford Young | G Minor | 0 | 6A | 66 BPM | ||
O quanta qualia | Peter Abelard, Augsburg Early Music Ensemble | A Major | 0 | 11B | 69 BPM | ||
Cor meum conturbatum est, IOL 58 | Orlande de Lassus, Pro Musica, Szabó Dénes | D Minor | 1 | 7A | 82 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Terpsichore*: Bransle Double 3 | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 77 BPM | ||
Maudit soyt | Heinrich Isaac, Capilla Flamenca, Patrick Denecker | E♭ Major | 1 | 5B | 50 BPM | ||
Laboravi in gemitu meo | Philippe Rogier, Oxford Camerata, Jeremy Summerly | G Major | 1 | 9B | 134 BPM | ||
Palästinalied | Walther von der Vogelweide, James Bowman, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 113 BPM | ||
O que Balteira ora quer vingar | Anónimo, Manseliña | A Major | 3 | 11B | 158 BPM | ||
Fantasia I | Luis de Milán, Shirley Rumsey | G Minor | 0 | 6A | 112 BPM |