"Heidelberg, Beloved Vision" by David Rendall, Jason Howard, Marilyn Hill Smith, Norman Bailey, Ambrosian Chorus, Philharmonia Orchestra was released on May 27, 1997. With Heidelberg, Beloved Vision being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "The Student Prince (Original Studio Cast of the First Complete Recording)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Heidelberg, Beloved Vision is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Heidelberg, Beloved Vision by David Rendall, Jason Howard, Marilyn Hill Smith, Norman Bailey, Ambrosian Chorus, Philharmonia Orchestra having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
H.M.S. Pinafore / Act 1: A British tar | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, George Cook, Eric Wilson-Hyde, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 2 | 12B | 120 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
Five Housman Songs Op 14, Part 3: No. 5, Because I liked you better | Lennox Berkeley, Robin Tritschler, Malcolm Martineau | E♭ Minor | 1 | 2A | 113 BPM | ||
Adriana Lecouvreur Act II, Scene 2: L'anima ho stanca | Francesco Cilea, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Haugtussa, Op. 67: V. Elsk | Charlotte Hoather, George Todica | C Major | 2 | 8B | 104 BPM | ||
2. Iolanthe! From thy dark exile | Arthur Sullivan, Jennifer Toye, Pauline Wales, Gillian Knight, Yvonne Newman, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | E Major | 1 | 12B | 140 BPM | ||
Ariettes oubliées, CD 63, L. 60 (Arr. for Orchestra by Brett Dean): III. L'ombre des arbres | Claude Debussy, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | B♭ Major | 1 | 6B | 76 BPM | ||
Mary Stuart, A. 43, In. 52, Act II: What place is this then? (Elizabeth, Dudley, Cecil, Talbot, Mary) | Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, David Rendall, Rosalind Plowright, Alan Opie, John Tomlinson | D♭ Major | 1 | 3B | 81 BPM | ||
The Mikado: If You Want to Know Who We Are | Bonaventura Bottone, Gareth Jones, Malcolm Rivers | E♭ Major | 2 | 5B | 109 BPM | ||
Strauss II, J: La chauve-souris, Act 2: Couplets. "Pour un marquis de si bel air" (Arlette) | Johann Strauss II, Franck Pourcel, Liliane Berton, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 2 | 9B | 82 BPM |