"Der Rosenkavalier, Op. 59, TrV 227, Act II: Da. Herr Kavalier! Den morgigen Abend hätt' i frei (Live)" by Richard Strauss, Wiener Philharmoniker, George Szell, Jaro Prohaska, Dagmar Hermann was released on May 7, 2021. With this song being about 5 minutes long, at 4:33, "Der Rosenkavalier, Op. 59, TrV 227, Act II: Da. Herr Kavalier! Den morgigen Abend hätt' i frei (Live)" by Richard Strauss, Wiener Philharmoniker, George Szell, Jaro Prohaska, Dagmar Hermann is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 48 in the song's album "R. Strauss: Der Rosenkavalier, Op. 59, TrV 227 (Live)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Der Rosenkavalier, Op. 59, TrV 227, Act II: Da. Herr Kavalier! Den morgigen Abend hätt' i frei (Live) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Rosenkavalier, Op. 59, TrV 227, Act II: Da. Herr Kavalier! Den morgigen Abend hätt' i frei (Live) by Richard Strauss, Wiener Philharmoniker, George Szell, Jaro Prohaska, Dagmar Hermann having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Ariadne auf Naxos, Op.60 / Opera: Ein Schönes war: hiess Theseus - Ariadne | Richard Strauss, Deborah Voigt, Eva Kirchner, Natalie Dessay, Christiane Hossfeld, Andris Liepa, Stephan Genz, Ian Thompson, Sami Luttinen, Staatskapelle Dresden, Giuseppe Sinopoli | F Minor | 1 | 4A | 84 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: 7. Notturno | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | E Major | 0 | 12B | 68 BPM | ||
String Quintet In C, D. 956: 3. Scherzo (Presto) - Trio (Andante sostenuto) | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | C Major | 2 | 8B | 107 BPM | ||
String Quartet No. 12 In F Major, Op. 96, B.179 - "American": 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Emerson String Quartet | F Major | 1 | 7B | 84 BPM |