London Metropolitan Orchestra's 'Bicycle Chase' came out on 2004. The duration of Bicycle Chase is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Bicycle Chase's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Stormbreaker (Original Motion Picture Soundtrack)". In this album, this song's track order is #5. Based on our statistics, Bicycle Chase's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bicycle Chase by London Metropolitan Orchestra having a テンポ of 153 with a half-time of 76 テンポ and a double-time of 306 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sextant | Justin Hurwitz | G Minor | 1 | 6A | 105 BPM | ||
When the Doorbell Rings | London Metropolitan Orchestra | B♭ Major | 1 | 6B | 136 BPM | ||
Don Octavio Del Flores | London Metropolitan Orchestra | C Minor | 1 | 5A | 82 BPM | ||
A River Runs Through It | Mark Isham | G Major | 4 | 9B | 133 BPM | ||
String Quartet in C-sharp minor, Op. 131 - Instrumental | Ludwig van Beethoven, The Con Tempo | A♭ Minor | 2 | 1A | 81 BPM | ||
The Theory of Everything | Jóhann Jóhannsson | D Major | 1 | 10B | 104 BPM | ||
Finale - Instrumental | Cesare Andrea Bixio, Elliot Goldenthal, Steven Mercurio, Jonathan Sheffer, London Metropolitan Orchestra, The Mask Orchestra | F Minor | 1 | 4A | 71 BPM | ||
A Leap | Mark Isham | D Major | 3 | 10B | 153 BPM | ||
Main Title | Trevor Jones | D Minor | 3 | 7A | 93 BPM | ||
The Scholar's Mate | Carlos Rafael Rivera | C Major | 3 | 8B | 136 BPM |