On October 22, 2012, the song "The River Kwai March - From 'The Bridge On the River Kwai'" was released by Keneth J Alford. The duration of The River Kwai March - From 'The Bridge On the River Kwai' is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. The River Kwai March - From 'The Bridge On the River Kwai''s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Malcolm Arnold's "Le pont de la rivière Kwaï - The Bridge On the River Kwai (David Lean's Original Motion Picture Soundtrack)" album is number 2 out of 13. On top of that, France appears to be the country where this track was created. In terms of popularity, The River Kwai March - From 'The Bridge On the River Kwai' is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of The River Kwai March - From 'The Bridge On the River Kwai' by Keneth J Alford to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tornado in the Barracks - Instrumental | James Horner | A Major | 1 | 11B | 98 BPM | ||
Roman March | Carlo Savina, The Rome Symphony Orchestra | G Minor | 2 | 6A | 99 BPM | ||
The Barber of Seville: "Largo al factotum" - Instrumental | Gioachino Rossini, Andre Kostelanetz & His Orchestra | C Major | 5 | 8B | 115 BPM | ||
Valse des Ch'tis - From "Bienvenue chez les Ch'tis" | The Hollywood LA Soundtrack Orchestra | A♭ Major | 2 | 4B | 137 BPM | ||
San Marco | L. Giordano, Gian Piero Reverberi, Rondò Veneziano | D Major | 7 | 10B | 135 BPM | ||
L'as des as - Finale | Vladimir Cosma, LAM Philharmonic Orchestra | G Major | 5 | 9B | 129 BPM | ||
The Typewriter | Leroy Anderson, Werner Brock, Cologne West German Radio Orchestra, Pinchas Steinberg | D Major | 1 | 10B | 117 BPM | ||
Midsomer Murders - Theme | Jim Parker | G Minor | 8 | 6A | 125 BPM | ||
"Prepare for Take Off" (Amazing Grace) | George Fenton | C Major | 2 | 8B | 101 BPM | ||
Ghost Riders In the City | Western Orchestra | D♭ Major | 6 | 3B | 121 BPM |