Heitor Villa-Lobos, Antonio Meneses, Celina Szrvinsk's 'Bachianas Brasileiras No. 2: O Canto do capadócio' came out on February 12, 2009. Since Bachianas Brasileiras No. 2: O Canto do capadócio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Soirées Internationales". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Bachianas Brasileiras No. 2: O Canto do capadócio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bachianas Brasileiras No. 2: O Canto do capadócio by Heitor Villa-Lobos, Antonio Meneses, Celina Szrvinsk having a テンポ of 114 with a half-time of 57 テンポ and a double-time of 228 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) | Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Bachianas brasileiras No. 2, "O trenzinho do Caipira": II. Aria: O Canto da nossa terra (Song of Our Land) | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | D Minor | 1 | 7A | 81 BPM | ||
Suite espagnole, Op. 47: II. Cataluña | Isaac Albéniz, Thibault Cauvin | G Minor | 2 | 6A | 71 BPM | ||
Andantino JS 201 | Jean Sibelius, Janne Mertanen | D♭ Minor | 0 | 12A | 66 BPM | ||
Sor: 24 Exercices très faciles, Op. 35: No. 22 in B Minor | Fernando Sor, Turibio Santos | B Minor | 1 | 10A | 116 BPM | ||
Bardenklange, Op. 13: Book 3: No. 3. Capriccio | Johann Kaspar Mertz, Gabriel Bianco | D Minor | 1 | 7A | 152 BPM | ||
16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | ||
Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) | Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin | F Minor | 1 | 4A | 79 BPM | ||
Quintette: I. Assez anime | Jean Cras, Juliette Hurel, Philippe Graffin, Miguel Da Silva, Henri Demarquette, Marie-Pierre Langlamet | A Major | 1 | 11B | 139 BPM |