Lynn Palmer, Judy Loman's 'Classical Suite: VII. Gigue' came out on July 21, 2002. With Classical Suite: VII. Gigue being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marcel Grandjany, Alphonse Hasselmans, John Parry, Marcel Tournier, Henriette Renié, Sophia Dussek, Carlos Salzedo, Elias Parish Alvars, Lynn Palmer, John Thomas's "Harp Showpieces" album is number 18 out of 19. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Classical Suite: VII. Gigue is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Classical Suite: VII. Gigue by Lynn Palmer, Judy Loman to be Andante (at a walking pace) because the track has a tempo of 100 テンポ, a half-time of 50テンポ, and a double-time of 200 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lullaby on an Ancient Irish Tune | Rebecca Clarke, Philip Dukes, Sophia Rahman | D♭ Major | 0 | 3B | 68 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Phantasy Quintet: III. Alla Sarabanda | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Minor | 0 | 4A | 83 BPM | ||
The Moon in the Labyrinth: III. Poco lento | Raymond Luedeke, Judy Loman, Orford String Quartet | E Minor | 1 | 9A | 97 BPM | ||
Album for the Young, Op. 68: 38. Winterzeit I | Robert Schumann, Vladimir Feltsman | C Minor | 0 | 5A | 65 BPM | ||
Sonata, K. 208 – Andante E Cantabile | Domenico Scarlatti, Judy Loman | C Major | 1 | 8B | 96 BPM | ||
St. Paul's Suite, Op. 29, No. 2: II. Ostinato | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 1 | 8B | 108 BPM | ||
12 Études pour Harpe: No. 6, — | Jean-Michel Damase, Catherine Michel | G Minor | 1 | 6A | 101 BPM | ||
44 Duos for 2 Violins, BB 104, Vol. 1: Parosito (Teasing Song) | Béla Bartók, György Pauk, Kazuki Sawa | B Minor | 0 | 10A | 112 BPM | ||
A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 91 BPM |