"Andrea Chénier: Come un bel dì di maggio" by Umberto Giordano, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi was released on May 15, 2020. The duration of Andrea Chénier: Come un bel dì di maggio is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Andrea Chénier: Come un bel dì di maggio's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vincerò! by Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi. The song's track number on the album is #10 out of 18 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Andrea Chénier: Come un bel dì di maggio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Andrea Chénier: Come un bel dì di maggio by Umberto Giordano, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Andrea Chénier: Come un bel dì di maggio being at 106 テンポ, the half-time would be 53 テンポ with a double-time of 212 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Massenet: Werther, Act 3: "Toute mon âme est là! ... Pourquoi me réveiller" (Werther) | Jules Massenet, Georges Prêtre, Nicolai Gedda, Orchestre de Paris | F Major | 1 | 7B | 177 BPM | ||
Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | ||
Fedora / Act 2: Orchestral interlude | Umberto Giordano, Orchestre Symphonique De La Monnaie, Alberto Veronesi | E Major | 0 | 12B | 78 BPM | ||
Gounod: Faust, Act 2: "Le veau d'or est toujours debout" (Méphistophélès, Chorus) | Charles Gounod, André Cluytens, Boris Christoff, Orchestre du Théâtre National de l'Opéra de Paris | B Minor | 7 | 10A | 141 BPM | ||
Mala vita: Act I Scene 1: Son grida! Sentite (Chorus) | Umberto Giordano, Coro Lirico Umberto Giordano, Orchestra Lirico Sinfonica della Capitanata, Angelo Cavallaro | E Minor | 3 | 9A | 86 BPM | ||
La bohème, SC 67 / Act I: "O soave fanciulla" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 85 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Là ci darem la mano" (Don Giovanni, Zerlina) | Wolfgang Amadeus Mozart, Riccardo Muti, Susanne Mentzer, William Shimell, Wiener Philharmoniker | A Major | 1 | 11B | 67 BPM | ||
Pagliacci / Act 1: Intermezzo | Ruggero Leoncavallo, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 1 | 12B | 93 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM | ||
Fedora / Act 3: Tutto tramonta | Umberto Giordano, Renée Fleming, Arturo Chacón, Emma Latis, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato | A♭ Minor | 0 | 1A | 91 BPM |