"Egmont, Op. 84: No. 1. Act I Scene 3: Die Trommel geruhret (Clarchen)" by Ludwig van Beethoven, Madeleine Pierard, Claus Obalski, New Zealand Symphony Orchestra, James Judd was released on January 26, 2010. The duration of Egmont, Op. 84: No. 1. Act I Scene 3: Die Trommel geruhret (Clarchen) is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Egmont, Op. 84: No. 1. Act I Scene 3: Die Trommel geruhret (Clarchen)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 13 in Beethoven, L. van: Egmont / Ah, perfido by Ludwig van Beethoven, James Judd. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Egmont, Op. 84: No. 1. Act I Scene 3: Die Trommel geruhret (Clarchen) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Egmont, Op. 84: No. 1. Act I Scene 3: Die Trommel geruhret (Clarchen) by Ludwig van Beethoven, Madeleine Pierard, Claus Obalski, New Zealand Symphony Orchestra, James Judd is Larghetto (rather broadly), since this song has a tempo of 65 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op. 15: No. 10 Fast zu ernst | Robert Schumann, Wilhelm Kempff | G Major | 0 | 9B | 69 BPM | ||
Chopin: Ballade No. 1 in G Minor, Op. 23 | Frédéric Chopin, Alexandre Tharaud | G Minor | 2 | 6A | 69 BPM | ||
Prelude in G Minor, Op. 23, No. 5 - Live at Philharmonie, Berlin / 2018 | Sergei Rachmaninoff, Yuja Wang | G Minor | 2 | 6A | 114 BPM | ||
Symphony No. 9 In D Minor, Op. 125, "Choral": I. Allegro Ma Non Troppo, Un Poco Maestoso | Nicolaus Esterhazy Chorus, Manfred Fink, Hasmik Papian, Ruxandra Donose, Nicolaus Esterhazy Sinfonia, Claudio Otelli, Friedrich Schiller, Ludwig van Beethoven | G Minor | 1 | 6A | 76 BPM | ||
3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo | Bedřich Smetana, Jitka Čechová | E Major | 0 | 12B | 131 BPM | ||
Fidelio, Op. 72, Act I: March | Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay | C Major | 3 | 8B | 135 BPM | ||
Sonata No. 15 in C Major, III. Rondo | Maria João Pires | C Major | 2 | 8B | 98 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM |