Jean-Baptiste Lully, Orfeo Orchestra, Gyorgy Vashegyi's 'Le bourgeois gentilhomme: Marche pour la Cérémonie des Turcs' had a release date set for October 6, 2017. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Un opéra pour trois rois". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Spain. Le bourgeois gentilhomme: Marche pour la Cérémonie des Turcs is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Le bourgeois gentilhomme: Marche pour la Cérémonie des Turcs by Jean-Baptiste Lully, Orfeo Orchestra, Gyorgy Vashegyi having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat, BWV 243a: Magnificat, BWV 243a: I. Magnificat anima mea | Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent | D Major | 4 | 10B | 96 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, libro terzo, Op. 12: Ciaccona | Tarquinio Merula, Jordi Savall | C Major | 2 | 8B | 93 BPM | ||
Es ist ein Ros entsprungen | Michael Praetorius, Voces8 | E Major | 0 | 12B | 129 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Concerto di Flauti, S.D945: II. Allegro | Alessandro Marcello, Dorothee Oberlinger | C Major | 1 | 8B | 138 BPM | ||
Lo, How a Rose E'er Blooming | Michael Praetorius, Jan Sandström, Elora Festival Singers, Noel Edison | F Major | 0 | 7B | 75 BPM | ||
Concerto Grosso in G Minor, Op. 8, No. 6: III. Vivace | Giuseppe Torelli, Capella Istropolitana, Jaroslav Krcek | B♭ Major | 2 | 6B | 121 BPM | ||
Nativity Carol | John Rutter, City of London Sinfonia, The Cambridge Singers | D Major | 0 | 10B | 84 BPM |