"Sei Introduttioni teatrali, Op. 4, No. 4: III. Presto" by Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium was released on April 11, 2023. With Sei Introduttioni teatrali, Op. 4, No. 4: III. Presto being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Pietro Antonio Locatelli: Sei Introduttioni teatrali, Op. 4". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. Sei Introduttioni teatrali, Op. 4, No. 4: III. Presto is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Sei Introduttioni teatrali, Op. 4, No. 4: III. Presto by Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hexachordum Apollinis: No. 2 in E Minor, Aria & 5 Variations, P. 194 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM | ||
Sonata No. 9 Largo affettuoso - Remastered | Francesco Mancini, Claudio Ferrarini, Luigi Fontana | G Major | 0 | 9B | 167 BPM | ||
Nach dir, Herr, verlanget mich, BWV 150: I. Sinfonia | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Sonata No. 1 in A Major: III. 03 3. Andante | Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen | A♭ Major | 1 | 4B | 78 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 4, Le je-ne-scay-quoy | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Preludio | Nicola Matteis, Ophélie Gaillard, Pulcinella Orchestra | A♭ Minor | 0 | 1A | 119 BPM | ||
Violin Sonata No. 1: III. Adagio | Francesco Maria Veracini, Rudiger Lotter, Axel Wolf, Kristin von der Goltz, Olga Watts | B Major | 0 | 1B | 106 BPM | ||
Baryton Trio in D Major, Hob. XI:69: II. Menuet. Allegretto | Joseph Haydn, Valencia Baryton Project | A Major | 3 | 11B | 115 BPM | ||
Violin Sonata in D Major, Op. 1 No. 13, HWV 371: IV. Allegro | George Frideric Handel, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: V. Flaterie | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Major | 1 | 2B | 73 BPM |