Eugène Ysaÿe, Leonidas Kavakos's 'Violin Sonata in E Minor, Op. 27, No. 4: II. Sarabande (Quasi lento)' came out on December 1, 1999. The duration of Violin Sonata in E Minor, Op. 27, No. 4: II. Sarabande (Quasi lento) is about 3 minutes long, at 3:14. Based on our data, "Violin Sonata in E Minor, Op. 27, No. 4: II. Sarabande (Quasi lento)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Ysaye: Six Sonatas for Solo Violin, Op. 27 by Eugène Ysaÿe. The song's track number on the album is #11 out of 15 tracks. Based on our statistics, Violin Sonata in E Minor, Op. 27, No. 4: II. Sarabande (Quasi lento)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Violin Sonata in E Minor, Op. 27, No. 4: II. Sarabande (Quasi lento) by Eugène Ysaÿe, Leonidas Kavakos has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Violin Sonata in E Minor, Op. 27, No. 4: II. Sarabande (Quasi lento) being at 135 テンポ, the half-time would be 68 テンポ with a double-time of 270 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Korngold: Violin Concerto in D Major, Op. 35: III. Allegro assai vivace | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 122 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: III. Allegro molto | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 2 | 8B | 81 BPM | ||
Piano Trio No. 1 in B Major, Op. 8: III. Adagio | Johannes Brahms, Maria João Pires, Augustin Dumay, Jian Wang | B Major | 0 | 1B | 84 BPM | ||
Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | G Major | 2 | 9B | 165 BPM | ||
Piano Trio No. 1 in B Major, Op. 8: II. Scherzo (Allegro molto) | Johannes Brahms, Maria João Pires, Augustin Dumay, Jian Wang | B Major | 1 | 1B | 79 BPM | ||
Bach, JS: Violin Sonata No. 1 in G Minor, BWV 1001: II. Fuga | Johann Sebastian Bach, Augustin Hadelich | G Minor | 1 | 6A | 93 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Mazurka No. 1 in G Major, "Obertass", Op. 19, No. 1 - Instrumental | Henryk Wieniawski, Camille Decreus, Eugène Ysaÿe | G Major | 2 | 9B | 82 BPM | ||
Violin Concerto No. 1 In D, Op. 19: 3. Moderato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Minor | 1 | 6A | 65 BPM |