"Intermezzi, Op. 117: 2. in B Flat Minor" by Johannes Brahms, Julius Katchen was released on December 2, 1996. With this song being about 5 minutes long, at 4:34, "Intermezzi, Op. 117: 2. in B Flat Minor" by Johannes Brahms, Julius Katchen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 21 in Brahms: Handel Variations; Brahms: Handel Variations; Paganini Variations; Piano Sonata No.3, etc. by Johannes Brahms, Julius Katchen. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Intermezzi, Op. 117: 2. in B Flat Minor is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Intermezzi, Op. 117: 2. in B Flat Minor by Johannes Brahms, Julius Katchen is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances, Op. 22: 2. Allegretto | Clara Schumann, Elena Urioste, Isata Kanneh-Mason | G Major | 0 | 9B | 116 BPM | ||
5 Lieder, Op. 49 (arr. for orchestra): Wiegenlied: Guten Abend, gut Nacht, Op. 49, No. 4 | Anonymous, Johannes Brahms, Slovak Radio Symphony Orchestra, Peter Breiner | E♭ Major | 1 | 5B | 113 BPM | ||
Waltz in G-Flat Major, D.Anh.I/14 | Franz Schubert, Nikita Magaloff | D Major | 1 | 10B | 76 BPM | ||
Preludes, Op. 28: No. 23 in F Major, Moderato | Frédéric Chopin, Grigory Sokolov | F Major | 0 | 7B | 70 BPM | ||
10 Hungarian Dances, Woo 1 (Version For Piano): No. 7 In F Major | Johannes Brahms, Idil Biret | F Major | 1 | 7B | 110 BPM | ||
8 Klavierstücke, Op. 76: II. Capriccio in B Minor. Allegretto non troppo | Johannes Brahms, Håkon Austbø | E Major | 1 | 12B | 71 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 5 in G Minor (original in F-Sharp Minor) | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | G Major | 2 | 9B | 158 BPM | ||
Lieder ohne Worte, Op. 19: 6. Andante sostenuto "Venetian Gondola Song" | Felix Mendelssohn, András Schiff | G Minor | 0 | 6A | 109 BPM | ||
2 Mélodies, Op. 3: 1. Moderato assai | Anton Rubinstein, Shura Cherkassky | C Minor | 1 | 5A | 98 BPM |