"Avodat Shabbat: Orchestral Prelude" by Herman Berlinski, Robert Brubaker, Constance Hauman, Elizabeth Shammash, Ernst Senff Choir, Berlin Radio Symphony Orchestra, Gerard Schwarz was released on February 1, 2004. The duration of Avodat Shabbat: Orchestral Prelude is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Avodat Shabbat: Orchestral Prelude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 22 in BERLINSKI: Avodat Shabbat (Friday Evening Service) by Herman Berlinski, Gerard Schwarz. In terms of popularity, Avodat Shabbat: Orchestral Prelude is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Avodat Shabbat: Orchestral Prelude by Herman Berlinski, Robert Brubaker, Constance Hauman, Elizabeth Shammash, Ernst Senff Choir, Berlin Radio Symphony Orchestra, Gerard Schwarz is Andante (at a walking pace), since this song has a tempo of 91 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elegy for Cello and Orchestra | John Williams, Berliner Philharmoniker, Bruno Delepelaire | G Major | 5 | 9B | 102 BPM | ||
Mass of the Children: Agnus Dei | John Rutter, Joanne Lunn, Roderick Williams, Cantate Youth Choir, The Cambridge Singers, City of London Sinfonia | G Major | 1 | 9B | 125 BPM | ||
24 Preludes, Op. 11: Prelude in C-Sharp Minor, Op. 11, No. 10 (Arr. V. Rogal-Levitsky) | Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin | D♭ Minor | 0 | 12A | 130 BPM | ||
In Memoriam Dylan Thomas: Do Not Go Gentle into that Good Night | Igor Stravinsky, Robert Tear, Ensemble Intercontemporain, Pierre Boulez | E Minor | 0 | 9A | 96 BPM | ||
Feste romane (Roman Festivals): II. Il Giubileo | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | C Major | 1 | 8B | 106 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 92 BPM | ||
From the World of My Father: IV. Dance | Herman Berlinski, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 1 | 9A | 71 BPM | ||
Geld wie ein Magnet | K.I.Z | A♭ Major | 5 | 4B | 156 BPM | ||
Linda di Chamounix, A. 62: Sinfonia | Gaetano Donizetti, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Martynov: "Come in!", Movement I | Vladimir Martynov, Gidon Kremer | A Major | 0 | 11B | 93 BPM |