Angela Verbrugge, Anthony Pinciotti made "Until I Met You (Corner Pocket)" available on May 3, 2024. The duration of Until I Met You (Corner Pocket) is about 3 minutes long, at 3:09. Based on our data, "Until I Met You (Corner Pocket)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Until I Met You (Corner Pocket) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United States. In terms of popularity, Until I Met You (Corner Pocket) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Until I Met You (Corner Pocket) by Angela Verbrugge, Anthony Pinciotti having a テンポ of 107 with a half-time of 54 テンポ and a double-time of 214 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
When Sunny Gets Blue | Nat King Cole | E♭ Major | 2 | 5B | 107 BPM | ||
Emily | Ben Besiakov | C Major | 3 | 8B | 108 BPM | ||
Sidney | Ninine Garcia Quintet | G Major | 2 | 9B | 68 BPM | ||
Breaking up Is Hard to Do | Renee Olstead | F Major | 3 | 7B | 131 BPM | ||
With You | Rebekka Blöndal, Asgeir Asgeirsson, Sigmar Matthiasson, Matthias Hemstock | B Minor | 6 | 10A | 200 BPM | ||
In a New York Minute | Ian Shaw | C Minor | 2 | 5A | 151 BPM | ||
Good Old Jazz | Soesja Citroen | C Minor | 2 | 5A | 113 BPM | ||
Behind Me | Karen Rosenberg | D Minor | 2 | 7A | 96 BPM | ||
There's No Business Like Show Business | Emma Smith | G Minor | 2 | 6A | 103 BPM | ||
Like Someone in Love | Elisabeth Melander | A♭ Major | 3 | 4B | 96 BPM |